Free Piano Scores. Bach, Johann Sebastian · Bartok, Bela · Beethoven Weber , Carl Maria von. Bach: Prelude and Fugue No.3 C# major, BWV JS Bach, The Well-tempered Clavier Book 1, detailed comments to P/F C# JS Bach’s Well Tempered Clavier Book I: Prelude and Fugue C# major, BWV Performed by Kimiko Ishizaka and accompanied by Stephen Malinowski’s Music Animation Machine score, enjoy the prelude in C-sharp major from the first.
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In the Modulatory portion an entirely new Theme is started. Which keyboard to use?
The Gimo Music Collection. Annotate this sheet music.
Bach: Prelude and Fugue No.3 in C# major, BWV 848 Analysis
Counter-subject 3 in Bass. Staatsbibliothek zu Berlin D-B: As we can see, the piece starts with 4×8 bars in a symmetric sequence of what can be called the thematic phrase of the prelude. Unsourced material may be challenged and removed.
From a harmonic perspective, there is nothing magic about what happens in this section: Bach, Johann Sebastian – Instrumentation: The episode is very playful, with ringing trills and virtuoso bass figurations around an organ pedal.
The fugue has an extensive sequential episode which develops through related keys before the reappearance of the three voices.
Of course, higher tempo does not necessarily mean better, but looking at the character of the fugue and the cheerful flow that it should present, Leonhard’s tempo seems simply too slow. Another aspect that is worth mentioning in this context: B 7 and E min in bars 32 and 33, are of course equivalent to C7 and Fmin seen from a Db major perspectiveso the double sharps actually translate into notes without accidentals in simple major keys.
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Prelude and Fugue in C-sharp major, BWV – Wikipedia
Performer Pages Peter Bradley-Fulgoni piano. This latter melody is not used again until bars Whilst JS Bach could have used the Db major key for the pair, which would result in having to deal with 5b instead of 7the score requires us to think one semitone higher than C major.
Episode 1, modulating from C major to G major by descending sequence. Playing the piece, one can almost feel that there is “something missing” when we reach the thematic material again in bars 47f. In vwv projects Wikimedia Commons. Well Tempered Clavier Book I: Sor – Six divertissements pour la guitare Opus 1.
Bach: Prelude and Fugue No.3 in C# major, BWV Analysis
Be aware of bars One bar 21 Episodes: Creative Commons Attribution 3. Episode 3, modulating from A minor to E minor. And so it should be played – energetic and “having fun”, willfully taking on the challenges and also the possibilities that this at least in the context of the Well-tempered Clavier rather unusual combination presents. Barsthe syncopated section, are quite active in terms of modulationwhich can be a little confusing in the first place, given the many accidentals.
Please help improve this article by adding citations to reliable sources. After Episode 5, starting in bar 41, the exposition section is repeated almost to the letter, of course with some counterpoint that accompanies the first subject entry, and the fugue ends with a coda with introducing subject entry in Soprano. The prelude is in fact, once deciphered, not that difficult to play.
Bach : Prelude and Fugue No.3 C# major, BWV 848
Work Title Prelude and Fugue No. This service works with Youtube, Dailymotion.