Kolumba museum peter zumthor cologne germany archute_32 The “Madonna of the Ruins” – only surviving image after the church bombing. danish photographer rasmus hjortshøj has shared new images of peter zumthor’s kolumba museum in the german city of cologne. The Kolumba (previously Diözesanmuseum, “Diocesan Museum”) is an art museum in The new structure Zumthor built for the museum now shares its site with the ruins of the Gothic church and the s chapel, wrapping a perforated grey.
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It might appear to be hopeless to reconcile these many layers of history, but it seems Zumthor chose to to see it as a challenge and he has intelligently managed to add to the architectural continuum, while keeping and embracing the pre-existing fragments.
peter zumthor’s kolumba museum in cologne photographed by rasmus hjortshøj
You feel the desire shared between client and architect to create something unique, something more than the museum itself. Even the handrail is designed by Zumthor. Throughout the history of Cologne, since the earliest Roman settlements, churches have stood on the site where the Kolumba Museum stands today.
This quest is the precious material for an aesthetic laboratory which studies the anthropological connections lying beyond zumfhor chronology. From Wikipedia, the free encyclopedia. The only abruption comes in the form of the large window sections that beautifully frames selected views of the city.
The Kolumba Museum is the exception. The items are generally displayed without accompanying text, and in no particular chronological or stylistic order. In other projects Wikimedia Commons.
Here it becomes very clear — if there was at a point any doubt — that Kolumba is no ordinary museum.
The walls are windowless apart from the perforations lining the top, casting filtered light into the double height room. Retrieved from ” https: As you stand amidst the room with all layers of history exposed, protected by the outer walls that gently wraps everything together, there is a serene calmness and odd timelessness. Layers of history at show.
Kolumba will be a shadow museum which will evolve only in the course of the day and the seasons. The highly distinctive narrow staircase pressed between two concrete walls. Here, the exhibition rooms are subdued in color and scale with white concrete walls and polished floors.
Kolumba – Wikipedia
The chapel is removed from the changing cityscape and given a final location, in which it will be assured a dignified continuing existence. What they all have in common is the kolkmba materiality of the brick, mortar, plaster and terrazzo in front of which will appear the works of art. Until it was located near Cologne Cathedral. It is one of the oldest museums in the city, alongside the Wallraf-Richartz Museum.
Art museums and galleries in Germany Museums in Cologne Buildings and structures in Cologne Art museums established in establishments in Prussia establishments in Germany. Wikimedia Commons has media related to Kolumba Museum. A zigzagging pathway guides you through the archaeological excavations between slim concrete columns pinning up the ceiling.
As mmuseum said kokumba the museum opening:.
peter zumthor’s kolumba museum photographed by rasmus hjortshøj
The occasion is the new building for musem Cologne Diocese Museum, which was established in and which features an extraordinary collection spanning from early Christianity to contemporary art. The steel frames decorate the brick coat like brooches and segment the monumental facade. Columba church, and run by the Archdiocese of Cologne.
Inside the building a peaceful courtyard takes the place of a lost medieval cemetery. Kolumba allows visitors to immerse themselves in the presence of their memories and offers them their own experiences on their way. As with Zumthor himself, the location of most of his works, are notoriously recluse.
The largest room of the building encompasses the two thousand year structure of the city as an uncensored memory landscape. The museum was founded by the Society for Christian Art inand taken over by the Archdiocese of Cologne in Back at the foyer, a narrow staircase takes you upstairs to the art exhibit, where the collection of the Archdiocese, who commissioned the museum, is at show. Icons and religious statues are standing shoulder to shoulder with contemporary art installations — and as if this is not confusing in itself, the visitors are left completely to their own devices, as there is no accompanying text to be found.
Peter Zumthor belongs to a rare breed of architects. The work on the project yielded the following reduction: The warm grey brick of the massive building unite with the tuffs, basalt and bricks of the ruins.
In adopting the original plans and building on the ruins, the new building becomes part of the architectural continuum. Its new home, built from —07, was designed by Peter Zumthor and inaugurated by Joachim Meisner. A secret garden, stone ruins, a uniquely dense archaeological site: It is a fitting end to the narrative of the site and its past, almost like a punctuation mark.
The guiding thread of the collection is the quest for overarching order, measure, proportion and beauty which connects all creative work. Some of the wall-sized windows allow daylight to penetrate from all directions.